The Art of Performing Arts
Sunday, October 14, 2012
Wednesday, October 10, 2012
Degas Ballerina Sketch; Rendition by Yours Truely :)
Drawn with colored chalk pastels on a window shade. My own rendition; a tad different from the original, but this is just my style.
Tuesday, October 2, 2012
Louise Greenfield
I've chosen the photographer Louise Greenfield to do my Photography project on. She has so many wonderful pieces...
Artist: Picasso
Artist: Pablo Picasso
Birth: October 25, 1881
Death: April 8, 1973 in France (age 83)
Country born: Spain
Country(s) resided during artistic training and highlighted
creative periods: At age 7, Pablo
received formal artistic training by his father, in figure drawing and oil
painting. Picasso made his first trip to
Paris in 1900, then the art capital of the world. He met his first Parisian friend, a
journalist and poet, Max Jacob. Max
helped Picasso learn the language and literature in France, and they soon shared
an apartment together
Did artist’s interest start in art or where they schooled in
something else first, i.e. voice, music, law? No, ever since Pablo was a young child, he had
been interested in the arts; his first word being “piz”, Spanish for
‘pencil’. His father was a fine arts
professor, and groomed this prodigy by getting Picasso the best education the
family good afford.
Name of school they received artistic training (if they did
not have formal training be sure to state that.): At just the young age of 13, Picasso was
admitted advanced art classes in The School of Fine Arts in A Coruna, where his
father was a professor. His father and
uncle decided to send young Pablo to Madrid’s Royal Academy of San Fernando,
the country’s best art school, in 1897 at age 16 where he set off for the first
time on his own.
Was there an artist that influenced their artwork or they
personally trained with? He formally trained with his father at age 7. Picasso admired the works of El Greco; the
elements, the elongated limbs, arresting colors, and mystical visages deeply
resonated within young Pablo.
Was there an art form, such as Japanese art, that influenced
their artwork? Picasso was strongly influenced by African sculptures and
artwork, which then influenced ‘Picasso’s African Period’, where you created
numerous pieces that were a style derived from the inspiration of African
art.
What art movement were they most known for? Picasso was
never conformed to any one movement; that was one of unique traits as an artist;
he liked to jump around to different style and movements. He was known as one of the creators of Cubism
and he also was a part of the Surrealism movement, Realism, and
Neo-Expressionism.
What/who did they use as their subject matter most often for
their art, i.e. landscapes, dancers, portraits, etc.?
Picasso had a very wide range in what he used subject matter
in his art. Although some subjects would
appear more than others throughout his paintings; especially when going through
one of his art periods, such as the ‘Blue period’ and the ‘Rose period’. Such subjects included: Female nudes,
musicians, guitars, people in poverty, portraits, circus life and circus
performers, acrobats, dancers, everyday life, a number of abstract and
distorted figures, and many others.
What artistic medium(s) did they employ in their artwork,
i.e. pastel, watercolor, oils, etc.? Picasso mainly used oil on canvas for his
paintings, but he also used newspapers and recycled materials for his collages;
but Picasso, like with his subjects, never really used one things, he used many
different techniques, mediums and materials, and even invented some as
well.
What was their most predominant medium? Picasso was
predominately a painter, and known for it today. So Picasso was known to most frequently use
oil on canvas and acrylics.
Where the performing arts part of some or many of their
work? What influenced them to use the performing
art? Picasso painted and created a number of pictures, collages, and 3D objects
that were of musicians and instruments, predominantly guitars. But Picasso also sketched and painted dancers
and performers, and he is also known for his costumes he designed for many
plays and performances, along with designing and painting sets and stages.
What was happening in the performing arts area the artist
was involved in that may have had an impact on how they created? (Time period,
style, etc.) Being that Picasso was living right in the heart of, at the time,
the most important performing arts and fine arts city, there most likely was numerous
amounts of inspiration that contributed to Picasso’s artworks. He was very intrigued by theatre, which was a
big part of Parisian life at the time, and which he designed costumes and stage
sets for several different plays.
Find a piece of work
from the artist that relates to the performing arts that you find interesting
or captures your attention.
Wednesday, September 26, 2012
Wednesday, September 12, 2012
Edgar Degas
Rain Morehouse
9.9.12
Degas was
significantly influenced by Japanese prints, where they suggested novel
approaches to composition. Japanese
prints had bold, linear designs and expressed a sense of flatness that
intrigued Degas; this was very different from traditional Western art and its
perspective view of the world. Degas was
regarded as one of the founders of the Impressionist art movement, even though
his style was quite differing; but he rejected the term of being an
Impressionist. He preferred to be called
a Realist, because Edgar often depicted his subjects in his pictures within the
third person. Realism believed in the
ideology of objective reality, and was against Romanticism. Degas identified himself with this term
instead. Edgar was a superb draftsman,
and is highly identified with the subject of dance; and over half of his
artistic works are of dancers. His
interest was in the human form, and the athletic physicality of dancers and ballerinas
especially caught his attention. His
studies addressed the movement of the body, exploring the physical strength and
discipline of the dancers through contorted postures and unexpected vantage
points; the strange vantage points he used was also very specific to Degas, and
he was known for these third-person viewpoints.
But he also studied and drew jockeys and horse races for the interesting
movement performed within it, as well as a number of nudes and working women;
such as laundresses and milliners. The
performing arts were a huge part of Degas’ artistic career. Being that is he famously known for his
dancers and ballerinas, even though he is associated with painting dancers for
all the wrong reasons. “They called me
the painter of dancers,” Edgar said, “without understanding that for me the
dancer has been the pretext for painting beautiful fabrics and rendering
movements.” But along with painting
dancers, he has also painted other factors of the performing arts; such as
orchestra scenes, musicians, theatre, operas, and cabaret performances.
Edgar Degas was
very experimental with his mediums in art, often drawing with chalk, painting
with oil on canvas, and sketching dancers in pencil and charcoal. But Degas was most known for his pastel
drawings, and was once called the “Pastel Master”. He enjoyed using different pastel art
techniques and his innovative drawings on differently colored bases,
experiments of shapes and textures of pastel strokes. And with the element of “unfinished” pastel
works, Degas truly redefined drawing with soft pastels. Edgar was also quite wealthy, coming from a
rich family, and so he was able to view dancers in rehearsal; before and after
shows, and just stretching in the back studio; because it cost a fee to have
access to the back stage where the ballerinas resided before and after shows,
only the wealthier men could afford to do so.
This impacted Degas’ artwork and style by showing him who the dancers
really were, that they were just as human as any one of us. Because behind the scenes he was able to view
the dancers in their stretches, their contorted poses, and watch them massage
their aching feet. Degas wanted to paint
ballerinas in their natural state, and the pressures they faced being dancers,
not just the perfect ballerinas they are on stage; he wanted something deeper. This however was quite new to the world to
see paintings and sketches of ballerinas not perfectly poised and elegantly
twirling, and sometimes controversial to those who were conventional. But before Degas, no one had ever viewed and
recorded what it really meant to be a dancer, and so Degas showed the world the
real life of a dancer.
Subscribe to:
Posts (Atom)